How To Draw A Path For Font Photoshop

Photoshop User Guide
Introduction to Photoshop
1. Dream it. Brand information technology.
2. What's new in Photoshop
3. Edit your first photo
4. Create documents
5. Photoshop | Common Questions
6. Photoshop organization requirements
7. Migrate presets, actions, and settings
8. Go to know Photoshop
Photoshop and Adobe services
1. Photoshop and Adobe Stock
2. Creative Cloud Libraries
3. Artistic Cloud Libraries in Photoshop
4. Utilise the Touch Bar with Photoshop
5. Work with Illustrator artwork in Photoshop
6. Use the Capture in-app extension in Photoshop
7. Grid and guides
8. Creating deportment
9. Undo and history
10. Default keyboard shortcuts
11. Touch capabilities and customizable workspaces
Photoshop on the iPad
1. Photoshop on the iPad | Common questions
2. Become to know the workspace
3. System requirements | Photoshop on the iPad
4. Create, open, and export documents
5. Add together photos
6. Piece of work with layers
7. Draw and paint with brushes
8. Make selections and add masks
9. Retouch your composites
10. Work with adjustment layers
11. Suit the tonality of your composite with Curves
12. Employ transform operations
13. Crop and rotate your composites
14. Rotate, pan, zoom, and reset the canvas
15. Work with Type layers
16. Work with Photoshop and Lightroom
17. Get missing fonts in Photoshop on the iPad
18. Japanese Text in Photoshop on the iPad
19. Manage app settings
20. Impact shortcuts and gestures
21. Keyboard shortcuts
22. Edit your paradigm size
23. Livestream as you create in Photoshop on the iPad
24. Correct imperfections with the Healing Brush
25. Create brushes in Capture and apply them in Photoshop
26. Work with Camera Raw files
27. Create and work with Smart Objects
28. Adjust exposure in your images with Dodge and Burn
Photoshop on the spider web beta
1. Mutual questions | Photoshop on the web beta
2. Introduction to the workspace
3. System requirements | Photoshop on the web beta
4. Keyboard shortcuts | Photoshop on the web beta
5. Supported file types | Photoshop on the web beta
6. Open up and work with deject documents
7. Collaborate with stakeholders
8. Apply limited edits to your deject documents
Cloud documents
1. Photoshop deject documents | Common questions
2. Photoshop deject documents | Workflow questions
3. Manage and work with cloud documents in Photoshop
4. Upgrade cloud storage for Photoshop
5. Unable to create or save a deject document
6. Solve Photoshop cloud certificate errors
7. Collect deject document sync logs
8. Share access and edit your cloud documents
9. Share files and comment in-app
Workspace
1. Workspace basics
2. Create documents
3. Utilize the Bear on Bar with Photoshop
4. Microsoft Dial back up in Photoshop
5. Tool galleries
6. Functioning preferences
7. Employ tools
8. Touch gestures
9. Touch capabilities and customizable workspaces
10. Applied science previews
11. Metadata and notes
12. Chop-chop share your creations
13. Place Photoshop images in other applications
14. Preferences
15. Default keyboard shortcuts
16. Rulers
17. Prove or hide not-printing Extras
18. Specify columns for an image
19. Undo and history
20. Panels and menus
21. Place files
22. Position elements with snapping
23. Position with the Ruler tool
24. Presets
25. Customize keyboard shortcuts
26. Grid and guides
Web, screen, and app design
1. Photoshop for design
2. Artboards
3. Device Preview
4. Copy CSS from layers
5. Piece spider web pages
6. HTML options for slices
7. Modify slice layout
8. Work with web graphics
9. Create spider web photograph galleries
Image and colour basics
1. How to resize images
2. Work with raster and vector images
3. Epitome size and resolution
4. Larn images from cameras and scanners
5. Create, open, and import images
6. View images
7. Invalid JPEG Marker fault | Opening images
8. Viewing multiple images
9. Customize color pickers and swatches
10. High dynamic range images
11. Match colors in your image
12. Convert betwixt color modes
13. Color modes
14. Erase parts of an image
15. Blending modes
16. Cull colors
17. Customize indexed colour tables
18. Image information
19. Misconstrue filters are unavailable
20. Almost colour
21. Color and monochrome adjustments using channels
22. Choose colors in the Colour and Swatches panels
23. Sample
24. Color style or Prototype mode
25. Colour cast
26. Add a conditional style change to an action
27. Add swatches from HTML CSS and SVG
28. Scrap depth and preferences
Layers
1. Layer nuts
2. Nondestructive editing
3. Create and manage layers and groups
4. Select, grouping, and link layers
5. Place images into frames
6. Layer opacity and blending
7. Mask layers
8. Utilise Smart Filters
9. Layer comps
10. Move, stack, and lock layers
11. Mask layers with vector masks
12. Manage layers and groups
13. Layer effects and styles
14. Edit layer masks
15. Extract assets
16. Reveal layers with clipping masks
17. Generate paradigm assets from layers
18. Work with Smart Objects
19. Blending modes
20. Combine multiple images into a group portrait
21. Combine images with Machine-Blend Layers
22. Align and distribute layers
23. Copy CSS from layers
24. Load selections from a layer or layer mask's boundaries
25. Knockout to reveal content from other layers
26. Layer
27. Flattening
28. Composite
29. Background
Selections
1. Select and Mask workspace
2. Make quick selections
3. Go started with selections
4. Select with the marquee tools
5. Select with the lasso tools
6. Select a color range in an image
7. Accommodate pixel selections
8. Convert betwixt paths and selection borders
9. Channel basics
10. Move, copy, and delete selected pixels
11. Create a temporary quick mask
12. Relieve selections and blastoff channel masks
13. Select the image areas in focus
14. Duplicate, split, and merge channels
15. Channel calculations
16. Selection
17. Bounding box
Prototype adjustments
1. Perspective warp
2. Reduce camera shake blurring
3. Healing brush examples
4. Export colour lookup tables
5. Adjust image sharpness and mistiness
6. Sympathise color adjustments
7. Apply a Brightness/Dissimilarity adjustment
8. Adjust shadow and highlight detail
9. Levels adjustment
10. Adjust hue and saturation
11. Arrange vibrance
12. Adjust colour saturation in image areas
13. Make quick tonal adjustments
14. Utilize special color effects to images
15. Raise your image with color balance adjustments
16. High dynamic range images
17. View histograms and pixel values
18. Lucifer colors in your paradigm
19. How to crop and straighten photos
20. Convert a color prototype to blackness and white
21. Adjustment and fill layers
22. Curves aligning
23. Blending modes
24. Target images for press
25. Adjust color and tone with Levels and Curves eyedroppers
26. Adjust HDR exposure and toning
27. Filter
28. Blur
29. Dodge or burn image areas
30. Make selective color adjustments
31. Replace object colors
Adobe Camera Raw
1. Camera Raw organisation requirements
2. What's new in Photographic camera Raw
3. Introduction to Camera Raw
4. Create panoramas
5. Supported lenses
6. Vignette, grain, and dehaze effects in Camera Raw
7. Default keyboard shortcuts
8. Automatic perspective correction in Camera Raw
9. How to make not-subversive edits in Camera Raw
10. Radial Filter in Camera Raw
11. Manage Camera Raw settings
12. Open, procedure, and save images in Camera Raw
13. Repair images with the Enhanced Spot Removal tool in Photographic camera Raw
14. Rotate, crop, and adjust images
15. Adjust color rendering in Camera Raw
16. Characteristic summary | Adobe Photographic camera Raw | 2018 releases
17. New features summary
18. Process versions in Photographic camera Raw
19. Make local adjustments in Camera Raw
Image repair and restoration
1. Remove objects from your photos with Content-Enlightened Make full
2. Content-Aware Patch and Move
3. Retouch and repair photos
4. Correct image baloney and racket
5. Basic troubleshooting steps to gear up most issues
Prototype transformations
1. Transform objects
2. Adjust crop, rotation, and canvas size
3. How to crop and straighten photos
4. Create and edit panoramic images
5. Warp images, shapes, and paths
6. Vanishing Point
7. Use the Liquify filter
8. Content-aware scaling
9. Transform images, shapes, and paths
10. Warp
11. Transform
12. Panorama
Drawing and painting
1. Paint symmetrical patterns
2. Draw rectangles and change stroke options
3. Most drawing
4. Draw and edit shapes
5. Painting tools
6. Create and modify brushes
7. Blending modes
8. Add color to paths
9. Edit paths
10. Paint with the Mixer Brush
11. Brush presets
12. Gradients
13. Gradient interpolation
14. Fill and stroke selections, layers, and paths
15. Depict with the Pen tools
16. Create patterns
17. Generate a pattern using the Design Maker
18. Manage paths
19. Manage blueprint libraries and presets
20. Draw or pigment with a graphics tablet
21. Create textured brushes
22. Add dynamic elements to brushes
23. Gradient
24. Pigment stylized strokes with the Art History Brush
25. Paint with a pattern
26. Sync presets on multiple devices
Text
1. Work with OpenType SVG fonts
2. Format characters
3. Format paragraphs
4. How to create blazon effects
5. Edit text
6. Line and character spacing
7. Arabic and Hebrew blazon
8. Fonts
9. Troubleshoot fonts
10. Asian type
11. Create type
12. Text Engine error using Type tool in Photoshop | Windows 8
13. World-Ready composer for Asian Scripts
14. How to add and edit the text in Photoshop
Video and animation
1. Video editing in Photoshop
2. Edit video and blitheness layers
3. Video and blitheness overview
4. Preview video and animations
5. Paint frames in video layers
6. Import video files and paradigm sequences
7. Create frame animations
8. Creative Cloud 3D Animation (Preview)
9. Create timeline animations
10. Create images for video
Filters and effects
1. Use the Liquify filter
2. Use the Blur Gallery
3. Filter basics
4. Filter effects reference
5. Add Lighting Furnishings
6. Use the Adaptive Wide Angle filter
7. Use the Oil Paint filter
8. Layer effects and styles
9. Apply specific filters
10. Smudge epitome areas
Saving and exporting
1. Save your files in Photoshop
2. Export your files in Photoshop
3. Supported file formats
4. Salvage files in graphics formats
5. Move designs between Photoshop and Illustrator
6. Relieve and export video and animations
7. Save PDF files
8. Digimarc copyright protection
Printing
1. Impress 3D objects
2. Print from Photoshop
3. Print with color management
4. Contact Sheets and PDF Presentations
5. Print photos in a picture parcel layout
6. Print spot colors
7. Duotones
8. Print images to a commercial printing press
9. Improve color prints from Photoshop
10. Troubleshoot press problems | Photoshop
Automation
1. Creating actions
2. Create data-driven graphics
3. Scripting
4. Procedure a batch of files
5. Play and manage actions
6. Add provisional actions
7. Virtually actions and the Actions panel
8. Record tools in actions
9. Add together a provisional mode change to an action
10. Photoshop UI toolkit for plug-ins and scripts
Color Management
1. Understanding color management
2. Keeping colors consequent
3. Colour settings
4. Piece of work with color profiles
5. Color-managing documents for online viewing
6. Color-managing documents when press
7. Color-managing imported images
8. Proofing colors
Content authenticity
1. Larn almost content credentials
2. Identity and provenance for NFTs
3. Connect accounts for creative attribution
3D and technical imaging
1. Photoshop 3D | Common questions around discontinued 3D features
2. Creative Cloud 3D Animation (Preview)
3. Impress 3D objects
4. 3D painting
5. 3D panel enhancements | Photoshop
6. Essential 3D concepts and tools
7. 3D rendering and saving
8. Create 3D objects and animations
9. Image stacks
10. 3D workflow
11. Measurement
12. DICOM files
13. Photoshop and MATLAB
14. Count objects in an image
15. Combine and convert 3D objects
16. 3D texture editing
17. Adjust HDR exposure and toning
18. 3D panel settings

Path segments, components, and points

A path consists of one or more than direct or curved segments. Anchor points mark the end points of the path segments. On curved segments, each selected anchor bespeak displays one or ii direction lines, ending in direction points. The positions of direction lines and points decide the size and shape of a curved segment. Moving these elements reshapes the curves in a path.

A. Curved line segmentB. Direction pointC. Direction lineD. Selected ballast pointEastward. Unselected anchor point

A path can be airtight, with no beginning or cease (for example, a circle), or open up, with distinct cease points (for case, a wavy line).

Smoothen curves are connected by ballast points called smooth points. Sharply curved paths are connected by corner points.

Photoshop Smooth point and corner point — Shine point and corner bespeak

When you motility a management line on a smooth point, the curved segments on both sides of the point are adjusted simultaneously. Past comparison, when you move a direction line on a corner indicate, only the curve on the same side of the betoken as the direction line is adjusted.

Photoshop Adjust a smooth point and a corner point — Adjusting a polish point and a corner point

A path does not have to be i connected series of segments. Information technology can comprise more than than i distinct and separate path component. Each shape in a shape layer is a path component, equally described by the layer's clipping path.

Photoshop Select separate path components — Separate path components selected

Select a path

Selecting a path component or path segment displays all of the anchor points on the selected portion, including any direction lines and direction points if the selected segment is curved. Management handles announced as filled circles, selected anchor points equally filled squares, and unselected anchor points as hollow squares.

To select a path component (including a shape in a shape layer), select the Path Pick tool, and click anywhere inside the path component. If a path consists of several path components, just the path component under the arrow is selected.
To select a path segment, select the Straight Option tool, and click one of the segment's ballast points, or elevate a marquee over office of the segment.

Photoshop Direct Selection tool — Drag a marquee to select segments.

To select additional path components or segments, select the Path Pick tool or the Directly Selection tool, and and then concur down Shift while selecting additional paths or segments.

When the Straight Option tool is selected, you can select the entire path or path component past Alt-clicking (Windows) or Option-clicking (Mac Os) inside the path. To activate the Straight Selection tool when most other tools are selected, position the pointer over an ballast indicate, and press Ctrl (Windows) or Command (Mac Os).

Select multiple paths | Photoshop

You can select multiple paths on the same layer or across dissimilar layers.

In the Pathsconsole, exercise any of the following to make the paths visible:

Shift-click to select contiguous paths.
Ctrl-click (Windows) or Command-click (Mac Bone) to select non-face-to-face paths.

Select the Path Selection tool or the Directly Selection tool and do any of the following:

Drag over the segments.
Shift-click the paths.

To select boosted path components or segments, select the Path Choice tool or the Direct Pick tool, then concord down the Shift primal while selecting additional paths or segments.

You can choose to piece of work with paths in the isolation style. To isolate merely the layer containing a path, with the path active, double-click using a pick tool. Y'all can also isolate single or multiple layers by using the Select/Isolate Layers menu item or by setting Layer Filtering to Selected.

Y'all tin can exit the isolation style in several ways, such as:

Turning off Layer Filtering
Switching Layer Filtering to something other than Selected
Double-clicking abroad from a path using the path option tools

Reorder paths

You tin can reorder saved paths that are not Shape, Type, or Vector Mask paths in the Paths panel.

In the Pathspanel, drag the path to the position yous want. In Photoshop, you lot can select and drag more than one path simultaneously.

Duplicate paths

In the Pathspanel, select the path you want to indistinguishable. In Photoshop, yous tin select more one path.

Alt-drag (Windows) or Selection-drag the paths.
Choose Duplicate Path from the console carte.

Specify path options

You can ascertain the color and thickness of path lines to suit your taste and for easier visibility. While creating a path—using the Pen tool, for example—click the gear icon () in the Options bar. At present specify the color and thickness of path lines. Also, specify whether you want to preview path segments as you move the pointer between clicks (Rubber Band issue).

Adjust path segments

You tin edit a path segment at any time, but editing existing segments is slightly different from drawing them. Go on the following tips in mind when editing segments:

If an anchor point connects two segments, moving that anchor indicate e'er changes both segments.
When drawing with the Pen tool, you can temporarily activate the Direct Option tool so that you lot tin can accommodate segments you've already drawn; press Ctrl (Windows) or Command (Mac OS) while drawing.
When you initially draw a smooth point with the Pen tool, dragging the direction point changes the length of the direction line on both sides of the signal. Withal, when you edit an existing smooth bespeak with the Directly Selection tool, yous change the length of the direction line simply on the side y'all're dragging.

Movement straight segments

With the Direct Selection tool , select the segment you want to adjust.

Drag the segment to its new position.

Adjust the length or angle of straight segments

With the Direct Selection toolselect an anchor point on the segment you want to suit.

Drag the ballast bespeak to the desired position. Shift-drag to constrain the adjustment to multiples of 45°.

Accommodate the position or shape of curved segments

With the Straight Choice tool,, select a curved segment, or an anchor point on either finish of the curved segment. Direction lines appear, if any are present. (Some curved segments use just one direction line.)

To accommodate the position of the segment, elevate the segment. Shift-elevate to constrain the adjustment to multiples of 45°.

Photoshop Click to select the curve segment — Click to select the curve segment. Then drag to adjust.

To adapt the shape of the segment on either side of a selected anchor bespeak, drag the anchor point or the direction signal. Shift-elevate to constrain movement to multiples of 45°.

Photoshop Drag the anchor point or the direction point — Drag the anchor point, or drag the direction point.

Adjusting a path segment besides adjusts the related segments, letting yous intuitively transform path shapes. To only edit segments between the selected anchor points, similar to before Photoshop versions, select Constrain Path Dragging in the options bar.

You tin also apply a transformation, such as scaling or rotating, to a segment or anchor point.

Delete a segment

(Optional) If you're creating an opening in a airtight path, select the Add Anchor Point tool , and add 2 points where yous desire the cut to occur.

Select the Direct Selection tool , and select the segment y'all want to delete.

Press Backspace (Windows) or Delete (Mac Bone) to delete the selected segment. Pressing Backspace or Delete again erases the remainder of the path.

Delete the management line of an ballast point

Using the Convert Anchor Betoken tool, click the anchor betoken of the direction line.
The polish betoken becomes a corner point. For more than information, see Convert between smooth points and corner points.

Extend an open path

Using the Pen tool, position the pointer over the endpoint of the open path you want to extend. The pointer changes when it's precisely positioned over the endpoint.

To create a corner point, position the Pen tool where you lot want to end the new segment, and click. If you lot are extending a path that ends at a smooth indicate, the new segment will be curved by the existing direction line.
To create a smooth point, position the Pen tool where you want to end the new curved segment, and drag.

Connect two open up paths

Using the Pen tool, position the pointer over the endpoint of the open up path that you desire to connect to another path. The pointer changes when it's precisely positioned over the endpoint.

To connect the path to another open path, click an endpoint on the other path. When yous precisely position the Pen tool over the other path's endpoint, a modest merge symbol appears next to the pointer.
To connect a new path to an existing path, draw the new path nearly the existing path, and then movement the Pen tool to the existing path'due south (unselected) endpoint. Click that endpoint when you see the small merge symbol that appears side by side to the pointer.

Move or nudge anchor points or segments using the keyboard

Select the anchor betoken or path segment.

Click or agree downwardly any of the arrow keys on the keyboard to move 1 pixel at a fourth dimension in the direction of the arrow.

Hold downward the Shift key in addition to the pointer primal to move 10 pixels at a fourth dimension.

Add or delete ballast points

Calculation anchor points can give y'all more control over a path or information technology tin extend an open up path. However endeavor not to add more than points than necessary. A path with fewer points is easier to edit, brandish, and print. You can reduce the complexity of a path past deleting unnecessary points.

The toolbox contains three tools for adding or deleting points: the Pen tool, the Add together Ballast Point tool, and the Delete Anchor Indicate tool.

Past default, the Pen tool changes to the Add Ballast Point tool every bit you position it over a selected path, or to the Delete Anchor Betoken tool as you position it over an anchor betoken. You must select Car Add/Delete in the options bar to enable the Pen tool to automatically alter to the Add Ballast Point or Delete Anchor Point tool.

You lot can select and edit multiple paths simultaneously. You lot can also reshape a path while calculation anchor points by clicking and dragging as you add.

Don't use the Delete or Backspace keys or the Edit > Cut or Edit > Clear commands to delete anchor points. These keys and commands delete the point and line segments that connect to that indicate.

Add or delete anchor points

Select the path you desire to alter.

Select the Pen tool, the Add Anchor Point tool, or the Delete Anchor Bespeak tool.

To add an anchor point, position the pointer over a path segment and click. To delete an anchor point, position the pointer over an anchor point and click.

Y'all tin can override automatic switching of the Pen tool to the Add Ballast Point tool or the Delete Anchor Point tool. This is useful when you want to start a new path on top of an existing path.

In Photoshop, deselect Auto Add/Delete in the options bar.

Convert between smooth points and corner points

Select the path you desire to alter.

Select the Convert Point tool, or use the Pen tool and concur down Alt (Windows) or Option (Mac Os).

To actuate the Convert Point tool while the Directly Selection tool is selected, position the pointer over an anchor bespeak, and press Ctrl+Alt (Windows) or Command+Option (Mac Os).

Position the Catechumen Point tool over the anchor point you want to convert, and do one of the following:

To convert a corner point to a smooth point, drag away from the corner point to brand direction lines appear.

Photoshop convert between smooth points and corner points — Dragging a direction point out of a corner bespeak to create a smoothen point

To catechumen a smooth signal to a corner point without direction lines, click the smoothen signal.

Photoshop Click a smooth point to create a corner point — Clicking a smooth indicate to create a corner point

To catechumen a corner point without direction lines to a corner signal with independent direction lines, beginning drag a management signal out of a corner point (making information technology a smooth point with management lines). Release the mouse push merely (don't release any keys y'all may have pressed to activate the Convert Anchor Bespeak tool), so drag either direction point.
To convert a smoothen point to a corner point with contained direction lines, drag either direction point.

Photoshop Convert a smooth point to a corner point — Converting a smooth signal to a corner point

Adjust path components

You tin reposition a path component (including a shape in a shape layer) anywhere inside an epitome. You can re-create components within an image or between two Photoshop images. Using the Path Selection tool, you can merge overlapping components into a single component. All vector objects, whether they are described by a saved path, work path, or vector mask, tin can be moved, reshaped, copied, or deleted.

You can also employ the Copy and Paste commands to duplicate vector objects between a Photoshop image and an image in some other application, such equally Adobe Illustrator.

Change the overlap style for the selected path component

Using the Path Selection tool , drag a marquee to select existing path areas.

Choose a shape area pick from the Path Operations drib-down card in the options bar:

Combine Shapes

Adds the path area to overlapping path areas.

Subtract From Shape Expanse

Removes the path area from overlapping path areas.

Intersect Shape Areas

Restricts the area to the intersection of the selected path area and overlapping path areas.

Exclude Overlapping Shape Areas

Excludes the overlap area.

Choose View > Show > Target Path.
Choose View > Extras. This command likewise shows or hides a filigree, guides, selection edges, annotations, and slices.

Movement a path or path component

Select the path proper noun in the Paths panel, and use the Path Selection tool to select the path in the epitome. To select multiple path components, Shift-click each additional path component to add it to the option.

Drag the path to its new location. If y'all move any part of a path across the sail boundaries, the hidden role of the path is still available.

Photoshop Drag a path to a new location — Dragging a path to a new location

If you elevate a path so that the move arrow is over another open image, the path is copied to that image.

Reshape a path component

Select the path proper noun in the Paths panel, and employ the Straight Pick tool to select an ballast point in the path.

Drag the bespeak or its handles to a new location.

Merge overlapping path components

Select the path name in the Paths panel, and select the Path Selection tool .

To create a single component from all overlapping components, choose Merge Shape Components from the Path Operations drop-downwardly menu in the options bar.

Re-create a path component or path

Copy path components between two Photoshop files

In the source image, use the Path Choice tool to select the entire path or the path components that you desire to re-create.

To copy the path component, do any of the following:

Drag the path component from the source image to the destination image. The path component is copied to the agile path in the Paths console.
In the source epitome, select the path name in the Paths panel and choose Edit > Copy to copy the path. In the destination image, choose Edit > Paste. You lot tin also use this method to combine paths in the same image.
To paste the path component into the destination prototype, select the path component in the source image, and choose Edit > Copy. In the destination prototype, choose Edit > Paste.

Delete a path component

Select the path name in the Paths panel, and click a path component with the Path Pick tool .

Press Backspace (Windows) or Delete (Mac OS) to delete the selected path component.

Align and distribute path components

You can align and distribute path components that are described in a single path. For example, yous can align the left edges of several shapes contained in a single layer or distribute several components in a work path along their horizontal centers.

To align shapes that are on dissever layers, use the Move tool.

To align components, apply the Path Option tool to select the components you want to align. Then cull an option from the Path Alignment drop-downwardly menu in the options bar.

Photoshop Alignment options — Alignment options

To distribute components, select at least iii components you desire to distribute. So choose an option from the Path Organisation drop-downwardly card in the options bar.

Photoshop Distribute options — Distribute options

Video tutorial: Tips for working with vectors in Photoshop

In this episode of The Complete Picture, Julieanne demonstrates five of her favorite features for working with vectors in Photoshop.

Source: https://helpx.adobe.com/photoshop/using/editing-paths.html

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